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Author |
Title |
Year  |
Publication |
Volume |
Times cited |
Additional Links |
Links |
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van der Snickt, G.; Dooley, K.A.; Sanyova, J.; Dubois, H.; Delaney, J.K.; Gifford, E.M.; Legrand, S.; Laquiere, N.; Janssens, K. |
Dual mode standoff imaging spectroscopy documents the painting process of the Lamb of God in the Ghent Altarpiece by J. and H. Van Eyck |
2020 |
Science Advances |
6 |
|
UA library record; WoS full record; WoS citing articles |
|
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Dooley, K.A.; Chieli, A.; Romani, A.; Legrand, S.; Miliani, C.; Janssens, K.; Delaney, J.K. |
Molecular fluorescence imaging spectroscopy for mapping low concentrations of red lake pigments : Van Gogh's painting The Olive Orchard |
2020 |
Angewandte Chemie-International Edition |
|
2 |
UA library record; WoS full record; WoS citing articles |
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van Loon, A.; Vandivere, A.; Delaney, J.K.; Dooley, K.A.; De Meyer, S.; Vanmeert, F.; Gonzalez, V.; Janssens, K.; Leonhardt, E.; Haswell, R.; de Groot, S.; D'Imporzano, P.; Davies, G.R. |
Beauty is skin deep : the skin tones of Vermeer's Girl with a Pearl Earring |
2019 |
Heritage science |
7 |
|
UA library record; WoS full record; WoS citing articles |
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De Meyer, S.; Vanmeert, F.; Vertongen, R.; Van Loon, A.; Gonzalez, V.; Delaney, J.; Dooley, K.; Dik, J.; van der Snickt, G.; Vandivere, A.; Janssens, K. |
Macroscopic x-ray powder diffraction imaging reveals Vermeer's discriminating use of lead white pigments in Girl with a Pearl Earring |
2019 |
Science Advances |
5 |
3 |
UA library record; WoS full record; WoS citing articles |
|
|
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MacLennan, D.; Trentelman, K.; Szafran, Y.; Woollett, A.T.; Delaney, J.K.; Janssens, K.; Dik, J. |
Rembrandt's An Old Man in Military Costume : combining hyperspectral and MA-XRF imaging to understand how two paintings were painted on a single panel |
2019 |
Journal of the American Institute for Conservation |
58 |
2 |
UA library record; WoS full record; WoS citing articles |
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Dooley, K.A.; Gifford, E.M.; van Loon, A.; Noble, P.; Zeibel, J.G.; Conover, D.M.; Alfeld, M.; van der Snickt, G.; Legrand, S.; Janssens, K.; Dik, J.; Delaney, J.K. |
Separating two painting campaigns in Saul and David, attributed to Rembrandt, using macroscale reflectance and XRF imaging spectroscopies and microscale paint analysis |
2018 |
Heritage science |
6 |
3 |
UA library record; WoS full record; WoS citing articles |
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Delaney, J.K.; Conover, D.M.; Dooley, K.A.; Glinsman, L.; Janssens, K.; Loew, M. |
Integrated X-ray fluorescence and diffuse visible-to-near-infrared reflectance scanner for standoff elemental and molecular spectroscopic imaging of paints and works on paper |
2018 |
Heritage science |
6 |
7 |
UA library record; WoS full record; WoS citing articles |
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Kirchner, E.; van der Lans, I.; Ligterink, F.; Geldof, M.; Gaibor, A.N.P.; Hendriks, E.; Janssens, K.; Delaney, J. |
Digitally reconstructing Van Gogh's Field with Irises near Arles. Part 2: Pigment concentration maps |
2018 |
Color research and application |
43 |
4 |
UA library record; WoS full record; WoS citing articles |
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Centeno, S.A.; Hale, C.; Caro, F.; Cesaratto, A.; Shibayama, N.; Delaney, J.; Dooley, K.; van der Snickt, G.; Janssens, K.; Stein, S.A. |
Van Gogh's Irises and Roses : the contribution of chemical analyses and imaging to the assessment of color changes in the red lake pigments |
2017 |
Heritage science |
5 |
21 |
UA library record; WoS full record; WoS citing articles |
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Janssens, K.; van der Snickt, G.; Alfeld, M.; Noble, P.; van Loon, A.; Delaney, J.; Conover, D.; Zeibel, J.; Dik, J. |
Rembrandt's 'Saul and David' (c. 1652) : use of multiple types of smalt evidenced by means of non-destructive imaging |
2016 |
Microchemical journal |
126 |
18 |
UA library record; WoS full record; WoS citing articles |
|
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van der Snickt, G.; Martins, A.; Delaney, J.; Janssens, K.; Zeibel, J.; Duffy, M.; McGlinchey, C.; Van Driel, B.; Dik, J. |
Exploring a hidden painting below the surface of Rene Magritte's Le Portrait |
2016 |
Applied spectroscopy |
70 |
13 |
UA library record; WoS full record; WoS citing articles |
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