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Author |
Menegaldo, B.; Aleccia, D.; Nuyts, G.; Amato, A.; Orsega, E.F.; Moro, G.; Balliana, E.; De Wael, K.; Moretto, L.M.; Beltran, V. |
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Title |
Stories of the life of Saint George : materials and techniques from a Barbelli mural painting |
Type |
A1 Journal article |
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Year  |
2023 |
Publication |
Studies in conservation |
Abbreviated Journal |
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Volume |
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Issue |
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Pages |
1-14 |
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Keywords |
A1 Journal article; Art; History; Antwerp Electrochemical and Analytical Sciences Lab (A-Sense Lab) |
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Abstract |
Gian Giacomo Inchiocchio (1604-1656), better known as Barbelli, was one of the main exponents of Lombard painting of the seventeenth century. A large body of work is attributed to him, encompassing a wide range of drawings, murals, and oil paintings. However, despite his broad production, there are still many open questions regarding his painting techniques and materials. In this paper, a multi-analytical study of the cycle Stories of the life of Saint George that originally decorated the presbytery of the parish church of Casaletto Vaprio (Cremona, Italy) was performed, combining non-invasive techniques with the characterisation of selected micro samples. Results show that Barbelli used a very limited number of inorganic pigments, often mixing them together to create different colours and shades. Remains of caseinate and degradation products (i.e. weddellite and whewellite) related to the strappo intervention were also highlighted. The study helped to decipher the materials and technique of this painting, providing data that can be used as a reference to study his extensive production. |
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Wos |
001080139100001 |
Publication Date |
2023-10-04 |
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ISSN |
0039-3630; 2047-0584 |
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Additional Links |
UA library record; WoS full record |
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Impact Factor |
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Times cited |
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Open Access |
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Approved |
no |
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Call Number |
UA @ admin @ c:irua:200302 |
Serial |
9098 |
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Author |
Liu, C.(T.); Alvarez-Martin, A.; Keune, K. |
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Title |
Exploring benzyl alcohol derivatives and related compounds in the cleaning of oil paintings |
Type |
A1 Journal article |
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Year |
2023 |
Publication |
Studies in conservation |
Abbreviated Journal |
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Issue |
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Pages |
1-12 |
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Keywords |
A1 Journal article; Engineering sciences. Technology; Antwerp X-ray Imaging and Spectroscopy (AXIS) |
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Abstract |
This study examines five benzyl alcohol derivatives and three chemically similar compounds and compares them against benzyl alcohol in gelled emulsions for the removal of overpaint during cleaning of oil paintings. Comparative cleaning tests using xanthan gels, Pemulen® TR-2 gels, and neat solvent were made on overpaint on fragments of a seventeenth-century test painting. This approach demonstrated that molecular changes to a benzyl alcohol core resulted in enhanced control during the cleaning process. In some cases a benzyl alcohol derivative enabled selective removal of non-original material, when benzyl alcohol appeared to affect the original paint. Select derivatives were also tested in an area of overpaint on a sixteenth-century oil on panel painting by Jan van Scorel in the Rijksmuseum Collection through modifying the chemical activity of benzyl alcohol. Finally, two GC-MS-based methods were used to monitor benzyl alcohol retention and possible oxidation in paint layers post-treatment. |
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Wos |
001027641300001 |
Publication Date |
2023-07-11 |
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Edition |
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ISSN |
0039-3630; 2047-0584 |
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Additional Links |
UA library record; WoS full record; WoS citing articles |
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Call Number |
UA @ admin @ c:irua:201643 |
Serial |
9034 |
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Author |
Cotte, M.; Checroun, E.; De Nolf, W.; Taniguchi, Y.; De Viguerie, L.; Burghammer, M.; Walter, P.; Rivard, C.; Salome, M.; Janssens, K.; Susini, J. |
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Title |
Lead soaps in paintings : friends or foes? |
Type |
A1 Journal article |
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Year |
2017 |
Publication |
Studies in conservation |
Abbreviated Journal |
Stud Conserv |
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Volume |
62 |
Issue |
1 |
Pages |
2-23 |
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Keywords |
A1 Journal article; Art; History; AXES (Antwerp X-ray Analysis, Electrochemistry and Speciation) |
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Abstract |
The origin(s) and role(s) of metal soaps in paints are a worldwide concern today. These hybrid compounds, containing both fatty acid chains and metals associated with a carboxylate function, are increasingly identified in paints. As reviewed in the first part of this work, the presence of metal soaps in paints is differently interpreted in scientific publications: metal soaps are sometimes considered to play a positive role as anchor points, during paint drying processes; they can also be considered as responsible for many degradation processes (protrusions, efflorescences, darkening, etc.). Their origins are also interpreted in various ways. In some paintings (in particular from the twentieth century), they have sometimes introduced on purpose, as additives, to modify the physical properties of the painting materials. In older paintings, metal soaps are usually thought to result from an uncontrolled reaction of oil with lead-based pigments, in particular lead white, red lead, and lead tin yellow. In the second part of this work, the review of historical recipes of lead-based paint shows an important number of recipes based on controlled mixing of oil with lead driers. In the third part, the experimental reproduction of such traditional recipes using walnut oil and litharge (PbO) shows that lead soaps can be formed, both in about one hour at approximate to 100 degrees C, or in about one month at room temperature. It shows as well that after a few years, litharge is no longer detected in the paint medium, while different lead carbonates are. Finally, the micro-infrared spectroscopy and micro-X-ray diffraction re-analysis of protrusions from a nine-year model painting shows together with lead soaps, the presence of Pb-5(CO3)(3)(OH)(2)O ('synthetic plumbonacrite'), an unusual phase recently observed in a protrusion from a painting by Vincent Van Gogh. This work highlights (i) the multiple origins and roles of metal soaps in paints and (ii) the importance of combining the analysis of fragments from historical paintings with the analysis and reproduction of historical recipes. In particular, we show that the components detected today in historical paintings may severely differ from those originally used or prepared by the painter, complicating the assessment of the painter's intentions. More than the presence of metal soaps, the key questions to be tackled should be about their origins and (re)mobilization. |
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Wos |
000393691200002 |
Publication Date |
2016-10-03 |
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ISSN |
0039-3630; 2047-0584 |
ISBN |
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Additional Links |
UA library record; WoS full record; WoS citing articles |
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Impact Factor |
0.578 |
Times cited |
26 |
Open Access |
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Notes |
; This work was supported by the European Synchrotron Radiation Facility. ; |
Approved |
Most recent IF: 0.578 |
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Call Number |
UA @ admin @ c:irua:141976 |
Serial |
5690 |
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Author |
Schalm, O.; Caen, J.; Janssens, K. |
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Title |
Homogeneity, composition and deterioration of window glass fragments and paint layers from two seventeenth-century stained glass windows created by Jan de Caumont (similar to 1580-1659) |
Type |
A1 Journal article |
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Year |
2010 |
Publication |
Studies in conservation |
Abbreviated Journal |
Stud Conserv |
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Volume |
55 |
Issue |
3 |
Pages |
216-226 |
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Keywords |
A1 Journal article; AXES (Antwerp X-ray Analysis, Electrochemistry and Speciation) |
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Wos |
000285283600009 |
Publication Date |
2014-01-09 |
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ISSN |
0039-3630; 2047-0584 |
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Additional Links |
UA library record; WoS full record; WoS citing articles |
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Impact Factor |
0.578 |
Times cited |
2 |
Open Access |
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Notes |
; ; |
Approved |
Most recent IF: 0.578; 2010 IF: 0.605 |
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Call Number |
UA @ admin @ c:irua:85835 |
Serial |
5645 |
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Author |
van der Snickt, G.; Schalm, O.; Caen, J.; Janssens, K.; Schreiner, M. |
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Title |
Blue enamel on sixteenth- and seventeenth-century window glass : deterioration, microstructure, composition and preparation |
Type |
A1 Journal article |
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Year |
2006 |
Publication |
Studies in conservation |
Abbreviated Journal |
Stud Conserv |
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Volume |
51 |
Issue |
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Pages |
212-222 |
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Keywords |
A1 Journal article; AXES (Antwerp X-ray Analysis, Electrochemistry and Speciation) |
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Wos |
000241941100006 |
Publication Date |
2014-01-09 |
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ISSN |
0039-3630; 2047-0584 |
ISBN |
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Additional Links |
UA library record; WoS full record; WoS citing articles |
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Impact Factor |
0.578 |
Times cited |
8 |
Open Access |
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Notes |
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Approved |
Most recent IF: 0.578; 2006 IF: 0.609 |
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Call Number |
UA @ admin @ c:irua:60712 |
Serial |
5492 |
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Author |
Torfs, K.; Van Grieken, R.; Zezza, F.; Garcia, N.; Macri, F. |
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Title |
The cathedral of Bari, Italy: evaluation of environmental effects on stone decay phenomena |
Type |
A1 Journal article |
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Year |
1997 |
Publication |
Studies in conservation = Études de conservation |
Abbreviated Journal |
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Volume |
42 |
Issue |
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Pages |
193-206 |
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Keywords |
A1 Journal article; AXES (Antwerp X-ray Analysis, Electrochemistry and Speciation) |
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Wos |
000071198200001 |
Publication Date |
2006-04-23 |
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UA library record; WoS full record; WoS citing articles |
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Notes |
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Call Number |
UA @ admin @ c:irua:18785 |
Serial |
7585 |
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